The trailer for Denis Villeneuve’s “Blade Runner 2049” is here.
A few thoughts:
Cinematographer Roger Deakins can do whatever he wants, forever. Man, this is a good looking movie
I hold out hope for as many practical effects as possible. One of the timeless things about “Blade Runner” is the extraordinary beauty of its pre-CGI special effects. Everything in “BR” is tactile and lived-in and elegant all at the same time.
Feelin’ good about Hampton Fancher’s involvement. Fancher was one of the screenwriters on the original. Were it up to me, I would have tried to get David Peoples, the other guy on the original, to do a draft, but it was NOT MY CALL.
Icelandic composer Jóhann Jóhannsson certainly has an uphill climb. The score for the original by Vangelis isn’t just one of the best pieces of music of the 1980s, it’s one of the best film scores of all time. I would have loved to hear how Vangelis’ updated and revises his own exceptionally influential work here, but, also, NOT MY CALL
Los Angeles has seen better days. If the desert in the trailer is where L.A. used to be, I am now curious as to what city Ryan Gosling is in.
“I want to ask you some questions” Is Officer K (Gosling) asking Deckard (Harrison Ford) that because he thinks Deckard has some information about the past…or because he thinks Deckard is a replicant?
Casting Jared Leto as a genius/savant/etc. will never not be funny to me. But the birthing process for replicants looks…traumatic.
Mackenzie Davis (“Halt and Catch Fire”) is looking very Pris…which is how she looks in Halt and Catch Fire. She may be stuck playing women from 1982 forever.
And most importantly…. ATARI LIVES.
So, what do we think? Does this look like “Godfather Part II” or “Godfather Part III?”
McConaughey IS the Man in Black. Idris Elba IS the Gunslinger. Stephen King IS the author of the source material “Dark Tower” series. Everyone hopes this DOES become a franchise.
Behold, the trailer for Danish director’s Nikolaj Arcel’s adaptation of “The Dark Tower” series by Stephen King.
“For thousands of generations the gunslingers were knights sworn to protect us from the coming of the dark,” Elba says.
Tom Taylor plays Jake Chambers, our POV character, a kid who starts dreaming of another world. He brings Roland Deschain aka “The Gunslinger” to our world, which is in mortal danger from the Man in Black, aka McConaughey’s Walter Padick.
Behold the magnificence that is the totally excellent trailer for “Thor: Ragnarok.”
I know, right? Here are my favorite bits, which are spoilers for what you just watched. Didn’t watch it? Go watch it. Do it again.
I have been waiting for Marvel to use Led Zeppelin’s “Immigrant Song” in a scene or movie or SOMETHING involving Thor for years. It is as totally awesome as I hoped it would be.
Cate Blanchett as Hela, the Asgardian goddess of death, CRUSHING Thor’s hammer Mjolnir, which is an object we, the people, have been told is pretty well indestructible and so totally awesome only Thor can pick the thing up. Yet, here we are.
“He’s a friend from work!” OK, so, it looks like Ragnarok will take bits from a few different storylines from various comics: some Thor stuff from various points in the comics run is being paired with a completely different, non-Thor storyline from 2006 called “Planet Hulk.”
Written by Greg Pak, “Planet Hulk” involves a bunch of ostensible heroes who shoot Hulk into space because he’s just too dangerous (nice friends, huh?) Hulk ends up on a planet full of monsters not unlike himself, and gladiator combat ensues. Thor isn’t in the original “Plant Hulk” (nor is Jeff Goldblum, for that matter) and, quite frankly, the “Planet Hulk” arc would make a pretty excellent movie in and of itself, but this could be a clever way to get some of that imagery into the Marvel Cinematic Universe.
That said, expect howls of outrage from fanboys furious with the fact that a) the “Planet Hulk” ideas are in there at all and b) that this trailer mixes comedy with Ragnarok, which is, you know, according to Norse mythology, supposed to be the end of the world. From the retro music to the jokes to the font, there is a very “Guardians of the Galaxy” vibe to this thing.
However, and this is a big however, said fanboy/girl jaws hit the floor around the 1:04 mark.
Did you happen to notice the gent with the two M-16s? That is a guy named Skurge and he is played by Karl Urban.
Now, Skurge was a punchline for years in “Thor” comics — an inept and silly bad guy who was inept in spite of the fact that his name was Skurge the Executioner, which sounds like something that should be written on the side of a van.
But in the hands of the legitimately brilliant Walter Simonson — whose 1980s run on “Thor” is one of the all-time great runs on a superhero comic — this doofus was given one of the greatest hero moments in comics.
Seriously, if you want to see a 30- or 40-something “Thor” fan burst into tears INSTANTLY, walk up to him or her and say “He stood alone at Gjallerbru.” (Lord, I am getting verklempt typing this out.)
This essay by the great Chris Sims breaks it down. There are spoilers in there for a 30-year-old comic (and possibly for Skurge’s role in “Thor: Ragnarok”) but his analysis, per usual, is spot on.
Or you could just read “Thor” #362.
As for me and my house, we are going to watch the trailer again. And also “Thor” #362. And maybe cry.
The first substantial peek at Terrence Malick’s new movie — starring Ryan Gosling, Michael Fassbender, Rooney Mara and Natalie Portman and set to debut at South by Southwest this year — is chock full of familiar sights. Luckily, Statesman multimedia producer Alyssa Vidales is the human equivalent of the “COMPUTER, ENHANCE” scene from every episode of “CSI,” and she’s identified lots of Austin landmarks in the clip. Now, we’re not 100 percent on some of these, and there are few we still need help identifying. See if you can help.
First, we’ve got what is obviously Sixth Street heading west toward Congress Avenue, a drive we’ve all made many times but never with Gosling at the wheel.
There’s plenty of Austin City Limits Music Festival to be seen, including a shot of Mara outside some fences near what appears to be Lou Neff Road (though we had guessed Barton Springs Road earlier) …
… and a lingering scene of the actress and Fassbender canoodling in the middle of Zilker Park. Scope that pop-up festival bar.
We’re thinking this is somewhere on U.S. 290. Can you identify the exact location from the sign that says “____ Star”? (UPDATE: A commenter suggested that this is The Rustic Star furniture store in Fredericksburg, and the Google Maps investigation checks out.)
There’s only one place that this string of pride flags could be: West Fourth Street. Looks like just outside Hangar Lounge and just east down the block from Oilcan Harry’s.
Now this one is a big ol’ stab in the artfully illuminated dark, but could this glowing spot be the Architects of Air exhibit that was in Austin in 2015? Or maybe it’s the James Turrell installation at the University of Texas. The artist and Malick are known associates, even if the colors and lines are wrong. But the filming time frame wouldn’t necessarily match up. We know Malick shot some of “Song To Song” in Austin between 2011-12.
Oh, and that time frame is when we know the cast was filming at Fun Fun Fun Fest, clearly seen here in the trailer.
No confusion about this tasteful architectural shape. It’s the Long Center, baby.
This is almost certainly not in Austin, unless there’s a hidden European micro-village hidden somewhere. (UPDATE: A commenter points out that this is Izamal, Yucatán, in Mexico, which is pretty dang far from Europe.
On a more certain note, Austin360 restaurant critic Matthew Odam is pretty sure this dining scene takes place at Asti Trattoria:
Compare the wall decoration and the seating with this photo:
However, being the non-millionaires we are, the identity of this high-rise window still eludes us, but it sure looks Austin-y. (UPDATE: One commenter suggests this might be a view from the Four Seasons Residences, which a little sleuthing of condo listings reveals as a distinct possibility. Check the view.)
So, Austin cinephiles and archaeologists alike: Can you help us confirm the identities of any of these local sights or any others in the trailer? Watch the full trailer, leave a comment on this post and we’ll update our findings.
Holiday movies, summer movies — we all know about those. But what about movies that come out early in the year?
Here are a few we’re looking forward to in the next few months:
“Sleepless”: A remake of the French thriller “Sleepless Night,” Jamie Foxx and T.I. are corrupt Las Vegas cops who are searching for a kidnapped child, who happens to be the son of one of the cops. No! Sleep! Till … finding a kidnapper!
“Fifty Shades Darker”: Dakota Johnson and Jamie Dornan as Anastasia Steele and Christian Grey in this sequel to 2015 epic “Fifty Shades of Grey,” which is one of the funniest movies of this decade (probably not intentionally).
“Logan”: James Mangold directs Hugh Jackman in his final turn as the legendary Marvel Comics mutant Wolverine. Based loosely on the comic book miniseries “Old Man Logan” by Mark Millar and Steve McNiven, “Logan” concerns an aged Wolverine in the post-apocalyptic future. Many mutants are dead; somehow Patrick Stewart as Charles Xavier is still alive. The trailer was terrific, complete with striking, melancholic use of Johnny Cash’s “Hurt.”
“T2 Trainspotting”: Reportedly based loosely on “Porno,” Irving Welsh’s 2002 sequel to “Trainspotting,” Danny Boyles’ “T2” takes place 20 years later (probably around 2008 or so). “Choose life. Choose a job. Choose a career. Choose a family” has morphed into “Choose life. Choose Facebook, Twitter, Instagram and hope that someone, somewhere cares. Choose looking up old flames, wishing you’d done it all differently. And choose watching history repeat itself.” We are keeping our fingers crossed.
“The Circle”: Based on the 2013 sci-fi novel by Dave Eggers, “The Circle” stars Emma Watson as a new employee at a very Facebook-ish (and increasingly creepy) company called the Circle. With Tom Hanks, John Boyega, Karen Gillan, Patton Oswalt and Bill Paxton.
“Guardians of the Galaxy Vol. 2”: And here we have the unofficial kickoff to the summer blockbuster season, part two of Marvel/Disney’s smash hit space opera-via-superheroes story of ragtag adventurers at the cosmic end of the Marvel Cinematic Universe. The whole gang is back: Star-Lord, Gamora, Drax the Destroyer, (Baby) Groot and Rocket Racoon.
Fans of Roald Dahl will be delighted by the newest trailer for “The BFG.”
The movie, directed by Steven Spielberg, tells the story of Sophie the orphan who is kidnapped by the Big Friendly Giant, or the BFG. The trailer shows a small bespectacled girl thrown into a whirl of adventure when a giant with huge ears takes her from her bedroom while she is reading.
We see hints of the story line: mean, bigger giants, the curiously-shaped trumpet swinging from the BFG’s hand, and of course, a shot of the BFG slicing a giant, slimy, cucumber-esque vegetable. But the trailer leaves most of the plot untold, a perfect teaser for those who love Dahl’s book.
Matthew McConaughey’s new movie is called “Free State of Jones,” and it deals with a group of poor folks in the South who band together during the Civil War to resist the Confederacy.
Based on a true story, the movie is scheduled for release this summer. And the trailer makes it look like a winner.
Gary Ross writes and directs the film, which also stars Gugu Mbatha-Raw and Keri Russell. Ross previously directed “The Hunger Games,” “Seabiscuit” and “Pleasantville.”
Much of the history of the rebellion led by McConaughey’s character, Newton Knight, is detailed in the 2003 book “The Free State of Jones: Mississippi’s Longest Civil War,” by longtime Texas State professor Victoria E. Bynum.
Update: The wait is over.The full trailer for “Deadpool” is finally here, featuring Ryan Reynolds’ take on the Merc With a Mouth.
You can watch the red-band trailer below. WARNING: This video contains graphic language and content and is not suitable for certain viewers. It is NSFW.
Austin360 movie critic Joe Gross weighs in on the trailer below:
A little context: Deadpool was created by writer Fabian Nicieza and artist Rob Liefeld, back in The New Mutants #98, cover dated February 1991. He was, with Cable, an epitome of Liefeld’s bro-ish character design — lithe and ninja-looking where his enemy, the cyborg Cable, was tank-like (both characters had a lot of pouches, but, as a colleague put it, Cable had enough pouches to look like “a photojournalist in the field”).
Anyway, Deadpool was a pretty straight-forward baddie with a bit of wit here and there, but, in 1997, the character changed into a legitimate anomaly: a genuinely funny, self-aware superhero book at odds with the prevailing look and feel of superhero books at the time. Written by Joe “Big Hero 6” Kelly and drawn by Ed McGuinness, Deadpool, “The Merc With a Mouth,” was a fourth-wall breaking, violent, indestructible wise-acre. He’s been like that, more or less, ever since, a fan-favorite for folks who value a little humor in their comic books have kept an eye on the character ever since.
Looks like this movie will be just that: R-rated wisecracks, ultra-violence of the brains-on-the-pavement variety and yammering at the audience. This is tonal shift for most of the Marvel movies.
Now, “Deadpool” is a 20th Century Fox film, part of the X-Men cohort rather than the Marvel/Disney movies (Iron Man, Captain America, Avengers, etc.). But this is still the first R-rated picture from the superhero stable.
From the trailer it looks like Ryan Reynolds stars as Wade Wilson, a cancer-stricken soldier who gets his life saved and genes scrambled in something that look a whole lot like the Weapon X program that created Wolverine. (The trailer even uses DMX’s “X Gon’ Give it to Ya,” which was clever). Reynolds even takes a shot at his disastrous turn Green Lantern after he is promised to become a superhero (“Please don’t make the super-suit green… or animated”).
There’s also a nice shout-out to the character’s creator, with Fabian Road and Nicieza Street signs in the deep background.
As for the other characters, Andre Tricoteux shows up as the metallic X-Man known as Colossus and Brianna Hildebrand raises an eyebrow as Negasonic Teenage Warhead, a mutant named after a Monster Magnet song. TJ Miller (“Silicon Valley”) plays Wade’s pal Weasel, Leslie Uggams is Wade’s older pal Blind Al and Morena Baccarin plays Wade’s …wife? love interest? named Copycat.
Earlier: A new hero is in town, and he’s breaking all the rules. Deadpool, the masked “Merc With a Mouth,” as he’s known in the comic books, will be hitting the big screen. Eventually.
(For those unfamiliar with Deadpool’s brand of humor, the trailers that follow feature perverse jokes and profanity, so watch at your own risk.)
Ryan Reynolds will be reprising the role, a full six years after audiences caught a glimpse of his original portrayal of the character in “X-Men: Origins.”
Fans of the chimichanga-eating, wise-cracking mercenary-turned-comic hero were no doubt excited when the first “Deadpool” movie trailer was released. But in true form, the red-and-black-clad assassin wasn’t going to give everything away so easily.
In the 45-second trailer released Monday, Deadpool sat in a tall wing back chair, shrouded in darkness. He introduced himself as “a man on an eHarmony date with destiny,” and waited until the last moment to let everyone know that the full trailer would be coming…tomorrow.
On Tuesday, Marvel studios released one last “Fantastic Four” trailer. This one come with a suprise ending, though – after the footage ended, Deadpool appeared on screen, promising that “Fantastic Four” movie-goers would be treated to a viewing of the real “Deadpool” trailer this weekend.
For those who can’t stand the tease, Team CoCo, the people behind Conan O’Brien’s late night talk show, “Conan,” have announced that a red-band version of the official “Deadpool” trailer will be premiered on the show Tuesday night.
Tomorrow #CONAN premieres the #Deadpool red band trailer. It’s so NSFW, our TBS rating will be TV-MA. OMG, so many acronyms.
Big budget action czar Michael Bay is putting Decepticons to the side in January, when “13 Hours: The Secret Soldiers of Benghazi” will hit theaters. Paramount released the trailer this week. Watch it below.
Based on the book “Thirteen Hours: A Firsthand Account of What Really Happened in Benghazi,” the film’s stars include John Krasinski, James Badge Dale, Pablo Schreiber, Toby Stephens.
So, the trailer for Sam Mendes’ “Spectre,” the new James Bond movie, is perhaps the most James Bondish-looking James Bond trailer of the Daniel Craig era.
This thing is steeped in traditional Bond tropes, mythology and action in a way we have not quite seen since before “Casino Royale” (2006), Craig’s first turn as 007.
Ralph Fiennes as a cranky M! Ben Whishaw as an extremely young-looking Q! Naomi Harris (underused in the upcoming “Southpaw”) as Eve Moneypenny!
Christoph Waltz as the mysterious SPECTRE (Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion) higher-up Franz Oberhauser! (Not the almighty Ernst Stavro Blofeld, as rumored– OR IS IT?) Monica Bellucci and Léa Seydoux as “Bond ladies” Lucia Sciarra and Madeline Swann!
Bond shooting a sniper rifle into a building that then explodes! A helicopter doing a barrel roll! A totally sick car! That’s what’s up, Sam Mendes.
“Spectre” hits theaters Nov. 6. What do you think, folks?