Kenneth Turan – Los Angeles Times
It’s starting to feel like a trend. With “Freeheld,” as with “Still Alice” before it, Julianne Moore gives a performance as a seriously ill individual that is stronger and more effective than the film that contains it.
Unlike its predecessor, which was only about a disease, “Freeheld” comes freighted with Hollywood social consciousness. The based-on-fact story of a dying New Jersey police detective who in 2005 fights to leave her pension to her domestic partner, “Freeheld” is a politically correct romantic weepy that plays in 2015 like a self-congratulatory victory lap for gay rights.